// PROJECT: "SCARS" / CONCEPT_README.txt

White stars are the cities of Ukraine. 
Red triangles are the launch points. 
The frame is an indicator: it is white when all is quiet, but turns red and pulses when an air attack siren sounds in Ukraine. 
Every colored thread is not an abstraction. It was either a threat to life, or a human life already taken.

    // This is a living witness, a canvas that breathes pain.

In the "DNA" of this work, I have embedded the memory of 110,000 "scars"—one for every missile, guided aerial bomb, or drone that has flown towards Ukraine since the beginning of the full-scale invasion. But the work is not finished.
It continues to write itself. 

    });

    // It is connected 24/7 to air attack servers and carves thousands of new scars onto itself each month.{
      
I taught this code to distinguish two types of pain: chronic and acute. 
      Chronic pain is the "rain" of guided bombs hitting the front line. It is the mechanical rhythm of suffering. 
Acute pain is the "Catalyst." 

    };

    // When a new siren sounds in any region, the code registers it and draws new "live" red scars, which after 24 hours are etched into the canvas as colored threads.
    // Herein lies the terrible beauty of this work. 

As Goya once used engraving to mechanically "imprint" the horrors of war, so I use code, having created a "matrix"—a complex "Catalyst" 
algorithm based on a deep statistical analysis of real attacks: their trajectories, weapon types, and the horrific mathematics of probability.

    //  It is a cold, impartial witness. It has no emotions; it simply documents. And in this merciless, objective truth, 
      there is the beauty of a fact, transformed into an abstract canvas.


    const The artwork itself is this code, living eternally on a server.
   

    // And it will only be considered complete when the air raid alert server falls silent and the Scars painting is fixed Forever .

    }